‘A Real Queer Fish’: Homoerotic Appetites and the Neo-Victorian (Meta)Real in Sarah Waters’s Tipping the Velvet
‘And Then the Devil Will Take Me Away’: Adaptation, Evolution, and The Brothers Grimm’s Suppression of Taboo Motifs in ‘The Girl without Hands’
‘Coded in a Code of the World’: Minor Literature and the Time-Image Hidden in Janet Frame’s Late Fiction?
‘Timespace’: The Interplay of Material and Imaginative Spaces in a Physical Theatre Production of Heiner Müller’s Quartett
Alterity and Antipathy: The Plight of Anti-Levinasian man, in Beckett’s The Expelled and Other Novellas
Aspects of the New Wave: Mona Brand, The Human Body (Sydney), APG (Melbourne), New Theatre and Peter King (1989)
Corporeal Spectacle and Sublime Annihilation: Post World War Two US Art and the Theatrical Operations of Edward Burtynsky’s Environmental Photography
Cross-Cultural Encounters: Aboriginal Performers and European Audiences in the Late 1800s and Early 1900s
De Chirico and Walker in light of Nietzsche and Guattari: The Enigma of Partial Bodies in Illogical Spaces
Disrupting Patriarchal Iconographies and Narratives: The Self-Portraiture of Elaine D’Esterre and the Uses of Exegesis
Fine Art Research into the Digital Image: The Pragmatics of Gaining Research Funding Whilst Still Producing Art
Fractured Realities, Fractured Truths in Tracey Moffatt’s Nice Coloured Girls and Night Cries: A Rural Tragedy
Magical Feminism: The Paradoxical Pain in Fefu and her Friends by Maria Irene Fornes and The Eisteddfod by Lally Katz
Mike Parr and the discursive rupture: The condemned and punished body as a political strategy in Close the Concentration Camps
Pakehatanga in Performance – Local Bodies Navigating Theatre Space in Aotearoa/New Zealand; with Special Reference to ‘Fishnet’, a Dance Work
Presentation and Representation of Time and Space in Chinese Traditional Theatre: With Special Reference to The Peony Pavilion
Researching the Unresearchable: Marking the Unmarkable: Evaluating Performing Arts Practice as Research Publication
The experimental Jane Street seasons: Seeking the Australian play and finding Australian performances
The Gestalt in the Machine: Ecological, Historical and Cultural Space in the Literature of Halldór Laxness
The Golem in the Room: Permutations of Otherness and Transnational Memory in Dionne Brand’s What we all Long For and Salman Rushdie’s Fury
The Last Economist: Adam Smith and the transvaluation of values (cyber capitalism in DeLillo’s Comospolis)
The Otherness of Babylon and Jerusalem: The Bilateral Character of Exile and Otherness in Irish Literature
The trouble with the past is it’s easy to forget: Memory, Nationalism and the plays of Dorothy Hewett
Theatre, Exchange and the Sine Wave: Reciprocal Relations in the World of Busting or Booming Performance
