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DOUBLE DIALOGUES

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Issue 1
1996
Conference with a Difference

Kiwiana Culture with a Difference

Sue Cheesman

University of Otago

Download (PDF)

Published

1997 (print); August 2015 (online)

Also this issue

Foreward and Welcome

Ann McCulloch with Howard Stanley

Opening Address

Jacques Daruelle

Kiwiana Culture with a Difference

Sue Cheesman

Examining Dance: Issues in the Examination of Performance as Research

Kim Vincs

Phenomenological Research: A Case Study

Don Asker

Notes on ‘Mother Night’

Elissa Goodrich

On Dialogism: Cutting and Stitching

Anna Gibbs

‘Moby Dick’ as Opera

Michael Waugh

Dancing the Bridge – Performance/Research: A Polemic

Mark Minchinton

Towards a Demonstration/Defence Model for the Examination of Research in Performance

Yoni Prior and Alison Richards

Fine Art Research into the Digital Image: The Pragmatics of Gaining Research Funding Whilst Still Producing Art

Bill Hart

My Very Own Tardis

Deborah Walker

Disrupting Patriarchal Iconographies and Narratives: The Self-Portraiture of Elaine D’Esterre and the Uses of Exegesis

Elaine D’Esterre and Frances Devlin-Glass

The Terror of Not Reading Seeing

Anne Graham

Artistic Practice & Research: Towards a Community of Judgement

Rod Wissler

Researching the Unresearchable: Marking the Unmarkable: Evaluating Performing Arts Practice as Research Publication

Judith Pippen

Skinning the Cat

Anne Marshall

‘Once More unto the Breach, Dear Friends’: Reflections on Artistic Practice as Research

Don Batchelor

Smashing Tables of Value

John Cumming

Double Dialogues Conference: Final Session

Shirley McKechnie

Concluding Remarks

Barbara Van Ernst

A 60’s Idea with 90’s Technology (maybe)

Francis Treacey

The Need for a Simultaneous Reading of Multimedia

Simon Wilmot

Contributors to Issue 1

Biographical Details
 

Double Dialogues | Refereed Arts Journal | ISSN 1447-9591  
© Double Dialogues 2020 unless otherwise credited