DOUBLE DIALOGUES
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Ghosts of Cadaqués
John Forrest
Published
Also this issue
In/Stead: Sister Publication to Double Dialogues
The Psychology of Composition (The Unconscious Metaphor)
Space and Place
Bring Back Bradley: Shakespearean criticism and the problem of graphocentrism
The Curtain is Calling: Art and inquiry with refugee participants
Engaged and Reflexive
Sleepwalking into the Mirror: Panic and the Thin Skin of a Writer
The Lost Princess: Anastasia, a Risky character
Look down, Look up: Barbara Bolt’s Art Beyond Representation
A Question of Character …
Absolute Zero
Converting History into Poetry: Examples from La Pucelle
Music, Language and Emotion
Sublime Journeys: Landscape and the Human Body
The Practice of Australian Art
Epitaph
Clay, Cloth, Corps
Stationary Transport: Innocent Suitcases
Dance of Language: A Study of the Selected Notebooks of A. D. Hope
Five Sides of the Fence
Narcissism: Reflections
Beyond the lie at the heart of the library: Blake and Bachelard
Stuck Inside a Mobile
Before I became a woman
Eyes in Times of War
Ghosts of Cadaqués
The Girl without Soil
40 Acres and a Mule
Reclaiming the middle ground: The case of the Malthouse Theatre
The Sacred Foundation
Hanging the washing between the lines: A glimpse into the backyard of one writer’s work in process
The Memory Room, by Christopher Koch
Coffee, coffee
Flow
New directions for In/Stead
Otaku: resistance and conformity
The Singing Ringing Tree
Ghosts in the Material: Encounters in the family archives
‘How do I look?’: Costume, Excess and Ambiguity in Moulin Rouge!
Antigone in Belfast: Staging Violence, Conflict and Reconciliation in Northern Ireland
Things that are not there
Entrance! It’s Elements! It’s Stories!
Scanning the Bones II: Beneath the words?
Pulse: A Physical Approach to Staging Text
Staging Hidden Stories: Australian Theatre and Asylum Seekers
Alabaster: The Grain of the Voice and Semblance
Glimpses of a Better World: The plays and poems of Bertolt Brecht
Intersections of Therapy and Aesthetics
Breaking Open the Story
Bharatnatyam, the Technique of Story Performing!
Australian-Lithuanian Dialogues and Hidden Stories: 1940s−2000s
Each Doppelgänger Love
In Defence of the Unlikely
Home Sweet Home
Plotting the field: Art as Problem-solving
‘Under the Forest’ & ‘Ladyswamp’: A radio play and a sonic poem
Appropriating History
Returning a Dislocated Child’s Body to the Scene of a Crime
Individuals become events: Sexual abuse in Disgrace and Cereus Blooms at Night
The End of the Road: Constructing the Enigmatic character
A Manifesto for Obscenity
Ectopiques