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DOUBLE DIALOGUES

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In/Stead
Retrospective

In/Stead

Retrospective

Issue 1

In/Stead: Sister Publication to Double Dialogues

Ann McCulloch & Paul Monaghan (Editors)

The Psychology of Composition (The Unconscious Metaphor)

Grant Caldwell

Space and Place

Rob Haysom

Bring Back Bradley: Shakespearean criticism and the problem of graphocentrism

John Jacobs

The Curtain is Calling: Art and inquiry with refugee participants

Kit Lazaroo

Engaged and Reflexive

Kruno Martinac

Sleepwalking into the Mirror: Panic and the Thin Skin of a Writer

Joanne Scicluna

The Lost Princess: Anastasia, a Risky character

Angela O'Brien

Look down, Look up: Barbara Bolt’s Art Beyond Representation

George Raitt

A Question of Character …

Patrick Van Der Werf

Absolute Zero

Alan Woodruff

Converting History into Poetry: Examples from La Pucelle

Ali Alizadeh

Music, Language and Emotion

Estelle Barrett

Sublime Journeys: Landscape and the Human Body

Jenni Mitchell

The Practice of Australian Art

Juliette Peers

Epitaph

Rohan Wrightman

Clay, Cloth, Corps

Jennifer Rutherford

Stationary Transport: Innocent Suitcases

Deborah Walker

Dance of Language: A Study of the Selected Notebooks of A. D. Hope

Ann McCulloch

Five Sides of the Fence

Terry Cantwell

Narcissism: Reflections

Maria Takolander

 

Issue 2

Beyond the lie at the heart of the library: Blake and Bachelard

Ewen Jarvis

Stuck Inside a Mobile

Joanne Scicluna

Before I became a woman

Dominique Hecq

Eyes in Times of War

Ali Alizadeh

Ghosts of Cadaqués

John Forrest

The Girl without Soil

Pavlina Radia

40 Acres and a Mule

Tony McMahon

Reclaiming the middle ground: The case of the Malthouse Theatre

Yoni Prior

The Sacred Foundation

Josaia McNamara

Hanging the washing between the lines: A glimpse into the backyard of one writer’s work in process

Gaylene Perry

The Memory Room, by Christopher Koch

Jean-François Vernay

Coffee, coffee

Marina Cano

Flow

Marina Cano

 

Issue 3

New directions for In/Stead

Ann McCulloch (Executive Editor)

Otaku: resistance and conformity

Adam Broinowski

The Singing Ringing Tree

Eunice Buchanan

Ghosts in the Material: Encounters in the family archives

Belinda Castles

‘How do I look?’: Costume, Excess and Ambiguity in Moulin Rouge!

Lynda Chapple

Antigone in Belfast: Staging Violence, Conflict and Reconciliation in Northern Ireland

Mark Chou

Things that are not there

Claire Duffy

Entrance! It’s Elements! It’s Stories!

Archana Gaikwad & Ashwini Pethe

Scanning the Bones II: Beneath the words?

Elissa Goodrich

Pulse: A Physical Approach to Staging Text

Tanya Gerstle

Staging Hidden Stories: Australian Theatre and Asylum Seekers

Rand T. Hazou

Alabaster: The Grain of the Voice and Semblance

Dominique Hecq

Glimpses of a Better World: The plays and poems of Bertolt Brecht

John Jacobs

Intersections of Therapy and Aesthetics

Threasa Meads

Breaking Open the Story

Angelina Mirabito

Bharatnatyam, the Technique of Story Performing!

Ashwini Pethe, Surashree Kelkar & Kavita Murugkar

Australian-Lithuanian Dialogues and Hidden Stories: 1940s−2000s

Grazina Pranauskas

Each Doppelgänger Love

Joanne Scicluna

In Defence of the Unlikely

Michael Vale

Home Sweet Home

Deborah Walker

 

Issue 4

Plotting the field: Art as Problem-solving

Ann McCulloch & Josephine Scicluna (Editors)

‘Under the Forest’ & ‘Ladyswamp’: A radio play and a sonic poem

Patrick Van Der Werf & Josephine Scicluna

Appropriating History

Virginia Murray

Returning a Dislocated Child’s Body to the Scene of a Crime

Dirk de Bruyn

Individuals become events: Sexual abuse in Disgrace and Cereus Blooms at Night

Neena Balwan Sachdev

The End of the Road: Constructing the Enigmatic character

Anita Jaboor

A Manifesto for Obscenity

Antonia Pont

Ectopiques

Christopher Norris

Articles and poems and creative short prose make up contributions to ‘In/Stead: Retrospective”. Originally conceived as a sister journal to Double Dialogues, In/Stead sought over its four volumes to explore the creative process itself. At the core of the articles and creative work is the belief that metaphor, often regulated and inspired by politics, psychology and societal change, interrogates and expands our perception of the power and relevance of art in informing the human condition.

The contributors cover a vast field of enquiry: Asylum seekers; stolen childhoods; addiction and symbolic expression; fashion; art as problem solver; art across time and place; knowledge as provisional, gender issues; the role of history;  Art in translation, breakages and re-formations, and how and why poems, theatre and art is made, and a continued debate of the relationship between art and life from the position as creator and as audience.

 

Double Dialogues | Refereed Arts Journal | ISSN 1447-9591  
© Double Dialogues 2020 unless otherwise credited